Epochs · Europe

Early Abstraction

c. 1906 – 1930

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Within a few years, painters in Stockholm, Munich, Moscow and Amsterdam independently abandoned the depiction of things. Many were driven by spiritual ideas such as Theosophy: colour and form could speak directly, like music. Suprematism and De Stijl pushed the idea to pure geometry.

Hallmarks

  • No recognisable subject
  • Colour and form as a language in themselves
  • Spiritual and mystical ambitions
  • Pure geometry

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Works (4)