Epochs · France

Realism

c. 1840 – 1890

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Realists rejected idealised history painting and insisted on painting what they could see: peasants, labourers, prostitutes, the modern city. Courbet declared he could not paint an angel because he had never seen one. The movement's frankness shocked the Salon and paved the way for Impressionism.

Hallmarks

  • Ordinary people as serious subjects
  • Rejection of academic idealisation
  • Social and political edge
  • Earthy, sober palette

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Works (19)