Epochs · China
Northern Song Landscape
c. 960 – 1127
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Under the Northern Song dynasty, monumental landscape became the highest genre of Chinese painting. Towering peaks stood for cosmic and social order, and the painter's task was to capture the living spirit of mountains and water rather than a single view. Space is built from layered ink, mist and several viewpoints at once, inviting the eye to wander through the scroll as if on foot.
Hallmarks
- Ink and light colour on silk
- Guo Xi's "three distances": high, deep and level
- Mist as a way to create depth
- Mountains as an image of moral order
Artists here
- Fan Kuan · c. 960 – c. 1030
- Guo Xi · c. 1020 – c. 1090
- Zhang Zeduan · c. 1085 – 1145


