Epochs · Mediterranean

Greek and Roman Antiquity

c. 3000 BCE – 400

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From Cycladic marble idols to the portrait busts of imperial Rome, the art of the ancient Mediterranean moved toward an ever more convincing image of the human body. Greek sculptors of the fifth century BCE fixed an ideal of balanced, athletic naturalism, while vase painters told the myths in lively line. Rome absorbed that legacy and added unflinching portraiture, narrative relief and a taste for copies of Greek masterpieces that spread across the empire.

Hallmarks

  • The idealised human body
  • Contrapposto and harmonious proportion
  • Myth told on painted pottery
  • Unflinching Roman portraiture

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Works (36)